Modern composers such as Schonberg threw out the whole idea of expectation. The scales they used deprive us of the notion of a resolution, a root to the scale, or a musical "home," thus creating the illusion of no home, a music adrift, perhaps as a metaphor for a twentieth-century existentialist existence. We still hear these scales used in movies to accompany dream sequences to convey a lack of grounding, or in underwater or outer space scenes to convey weightlessness.
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